Queen Mary 2

How big it is
- Launched
- 2004
- Gross tons
- 151,400
- A measure of enclosed volume, not weight.
- Guests
- 2,691
- With two guests to a cabin
- Crew
- 1,292
- Gross tons per guest
- 56.3
- Unusually roomy — this is luxury-ship territory.
- Guests per crew member
- 2.1
- Fewer guests per crew member than most large ships.
Staterooms on Queen Mary 2
The 19 categories Queen Mary 2 sails with.
Interior3 categories

Standard Inside
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Atrium View Inside
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Britannia Inside
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Ocean view3 categories

Oceanview
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Single Oceanview
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Britannia Oceanview
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Balcony5 categories

Balcony - Sheltered
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Balcony - Obstructed Views
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Club Balcony
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Balcony
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Britannia Balcony
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Suite8 categories
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Princess Grill Suite
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Queen Suite
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Penthouse Suite
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Royal Suite
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Duplexe Suites
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Grand Duplex
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Princess Grill
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Queens Grill
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Queen Mary 2 deck plans
Deck-by-deck layouts for Queen Mary 2, straight from the line. Useful once you know roughly which cabin you want — open a deck to see where everything sits.
Browse all 12 decks12 decks
Deck 8(EIGHT)
Open zoomable viewDeck 12(TWELVE)
Open zoomable viewDeck 11(ELEVEN)
Open zoomable viewDeck 10(TEN)
Open zoomable viewDeck 9(NINE)
Open zoomable viewDeck 6(SIX)
Open zoomable viewDeck 5(FIVE)
Open zoomable viewDeck 4(FOUR)
Open zoomable viewDeck 7(SEVEN)
Open zoomable viewDeck 2(TWO)
Open zoomable viewDeck 3(THREE)
Open zoomable viewDeck 13(THIRTEEN)
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Seven days across the North Atlantic, in the only ship built for exactly this purpose
Queen Mary 2 is not a cruise ship — she is an ocean liner, built to cross the North Atlantic between Southampton and New York in all weather, seven days of open sea, and the only vessel in the world constructed specifically for this purpose in the modern era. The distinction matters: the hull is deeper, the stabilization systems are different, and the experience is built around the passage itself rather than the ports.
When Cunard launched Queen Mary 2 in 2004, the decision to build a proper ocean liner rather than a repositioning cruise ship was a deliberate departure from everything else being built at the time. The hull is reinforced for North Atlantic winter crossings. The ship has a ballroom — not a nightclub with a dance floor, but a two-deck ballroom with a live orchestra and a calendar of dance lessons. There is a kennel for dogs. These are not marketing features; they are the residue of a century of transatlantic service culture that Cunard has maintained as the industry around them changed.
The ship operates a two-tier dining structure. Britannia Restaurant serves the majority of guests with formal tablecloths, multiple courses, and assigned seating if you want it. Queen's Grill and Princess Grill are reserved for suite passengers — quieter, more attentive, with a menu more ambitious than Britannia and a staff ratio that makes the difference felt throughout the sailing. The Illuminations theatre doubles as a planetarium for sea-day lectures. The Queen's Room ballroom hosts afternoon tea, dancing, and masked balls; the English atmosphere is not performed — it is the house style.
The hierarchy in accommodations is real. Britannia cabins are comfortable and well-appointed; Queens Grill Suites are among the most generous at-sea accommodations anywhere, with dedicated service extending to unpacking if you'd like. The key question on QM2 is whether the Grill experience is worth the premium — for transatlantic crossings, which are passage-focused rather than port-intensive, many guests find it transforms the voyage entirely.
The transatlantic crossing is the core product, and it cannot be replicated elsewhere. Seven days at sea — no ports, no excursions, just ocean, lectures, the library, the ballroom, and the horizon — is a genuinely different experience from a cruise. It is slower. It requires more comfort with one's own company. Passengers who arrive knowing this come away having had something they couldn't describe to friends who weren't there.
QM2 is not for travelers who measure a voyage by its ports or its water park. The formality — which can be minimized on Casual nights but reasserts on Formal ones — is a feature for some guests and a deterrent for others. The transatlantic run is not budget-friendly; Cunard's fares reflect the product, and the product makes no apology for what it is.